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                <text>The majority of this composition, by Suad al Attar, is rendered with a monochromatic color scheme of dappled tans with highlights of bright white. Within an outlined landscape sits a figure upon a horse. The horse in adorned with blue and yellow decorations while the figure all but blends into the background foliage.  </text>
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                <text>Location: Currently unknown. Possibly from the collection of the Iraqi Museum of Modern Art (the former Saddam Center for the Arts)</text>
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                <text>Hard copies purchased from the photographer of the museum in 2004.</text>
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                <text>This pyramidal composition, by Rafa Al Nasiri, is framed with three tied rows each reducing in size with elevation. This tied system is mimicked within the frame with faint squared outlines. At the apex of the step pyramid is a band of bright red whilst random color smears dot the lower portion; including three stripes of blue, green, and yellow and a series of random tan markings. </text>
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                <text>Location: Currently unknown. Possibly from the collection of the Iraqi Museum of Modern Art (the former Saddam Center for the Arts)</text>
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                <text>Hard copies purchased from the photographer of the museum in 2004.</text>
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            <name>Title</name>
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                <text>Title not known (Al Nasiri 2)  </text>
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                <text>Multilayered composition mixing red and black with tan</text>
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            <description>An account of the resource</description>
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                <text>Simplistically speaking this composition is made up of three layers that are rendered quite differently. The upper half of the picture plane is dominated by an alternating stratification of black and red that sits within a three-quarter black border. This border rests on a thin rectangular block of grayish brown that separates the upper from the lower portion. In this lower portion, three deep groves gouge into the sandy tan surface insinuating figure prints.</text>
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                <text>Location: Currently unknown. Possibly from the collection of the Iraqi Museum of Modern Art (the former Saddam Center for the Arts)</text>
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                <text>Hard copies purchased from the photographer of the museum in 2004.</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Title not known (Al Nasiri 3)  </text>
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                <text>Composition with four vignettes containing various organic shapes</text>
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                <text>In this horizontally oriented composition, by Rafa Al Nasiri, four vignettes are framed with a blue border. Each frame is then further horizontally bifurcated with a series of multicolored lines. Within each segment is a differing organic shape abstracted beyond figural representation. With the exception of a deep red, the color palette remains neutral with browns, whites, and blues.  </text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Rafa Al Nasiri (1940)</text>
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            <description>A related resource from which the described resource is derived</description>
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                <text>Location: Currently unknown. Possibly from the collection of the Iraqi Museum of Modern Art (the former Saddam Center for the Arts)</text>
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                <text>Hard copies purchased from the photographer of the museum in 2004.</text>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Oil on Canvas</text>
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            <name>Online Submission</name>
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