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                  <text>Artists - Amer Al-Obaidi (عامر العبيدي)</text>
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                  <text>Sarah Whitcher Kansa (Alexandria Archive)</text>
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                  <text>Nada Shabout (University of North Texas)</text>
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                <text>Two horses in an abstracted landscape</text>
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                <text>Two almost identical horses stand erect at the left of the composition. There forms are somewhat stylized, yet still recognizable in contrast to the setting in which they have been placed. The way in which the landscape is rendered is reminiscent of textile décor with outlined patterning filled in by various coloring. </text>
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                <text>Location: Currently unknown. Possibly from the collection of the Iraqi Museum of Modern Art (the former Saddam Center for the Arts)</text>
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                <text>Hard copies purchased from the photographer of the museum in 2004.</text>
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                <text>1983</text>
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                <text>Oil on Canvas</text>
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            <description>A name given to the resource</description>
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                <text>Title not known (Al-Obaidi 2)</text>
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                <text>Composition of black and red with central cluster of horses and figures</text>
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                <text>This composition, by Amer Al-Obaidi, is bifurcated into two hemispheres of black and red. The picture plane is otherwise void with the exception of a cluster of figures concentrated at the center of the canvas. This cluster is composed of abstracted human forms indicated only through the stance of the figure and a group of horses rendered with color and form rather than detail.</text>
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                <text>Location: Currently unknown. Possibly from the collection of the Iraqi Museum of Modern Art (the former Saddam Center for the Arts)</text>
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                <text>Hard copies purchased from the photographer of the museum in 2004.</text>
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                <text>The main color palette of this composition is made up of various shades of blue with splashes of red patterning. Three stylized horses dominate the picture plane. The highly abstracted version of a human figure appears to be laid horizontally across the back of the foremost white horse indicated by an outstretched led and arm. While the foreground is plain, the background is made up of a series of arches possibly hinting at the presence of a city.</text>
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                <text>Location: Currently unknown. Possibly from the collection of the Iraqi Museum of Modern Art (the former Saddam Center for the Arts)</text>
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