Browse Items (848 total)

This village scene, by Farouk Abdelazeez, is rendered in a type of stippling, as each form appears to be composed of a series of hatching and dotted marks. The viewer’s perspective is as one traveling down river; across a bend a small village emerges…

Farouk Abdelazeez has again rendered this landscaped with a kind of stippling technique that composes each form. The landscape here rises from a marshy valley to rolling hills and finally to a rocky mountain range. The color palette is natural, of…

Farouk Abdelazeez has captured this market scene in the midst of action and with detailed realism. A seated woman turns uncomfortably to glance at something beyond the picture plane while two standing women are in conversation. Other figures merely…

This abstracted composition by Abdelwahab resembles the natural formation of a rocky mountain. The random, jagged cuts rendered at the base of the picture plane recall that of crevasses traversing a barren peak. The remainder of the canvas is filled…

Again, Abdelwahab has presented an abstracted work recalling natural elements. In this tri-part composition a thick, chaotic application of blue and beige paint brings to mind the tumult of a stormy sea. The jagged, undulating strokes of the…

In this dynamic scene, Mahoud Ahmad has rendered all of the figures in rapid motion. The slim soldier, adorned with rifle and khaki fatigues, marches forward with his shadow preceding his steps. The animal figures placed in the background mimic the…

Here, Mahoud Ahmad has used the sleeping nude female form to insinuate a dream-like quality to the rendered scene. As the woman sleeps cradled by the boat, a ghostly figure arises from an undetermined space. The vaporous human form on horseback is…

In this composition, by Mahoud Ahmad, the forms are rendered in an ambiguous space where the sky and ground merge into one. The figures appear to be floating on a liquid surface of fluid blues. The fantasy-like scene is made up of a nude sleeping…

The main figure in this painting, by Mahoud Ahmad, is a lean yet muscular man, clothed simply in rolled trousers, carrying an uprooted palm tree on his back. The man’s facial expression is not one of strain despite the supposed effort of baring such…

This painting, by Mahoud Ahmad, is composed of many different figures, in various states, overlapped to create a chaotic rendering of space and time. To the left, the face of a weeping woman is overlaid with a man in fatigues who crouches with his…