In Iraqi Village 4, Al-Jadar relies on a much tighter composition than others in the series. The bulk of the paintings scene takes place in the foreground, focusing on the bare skeletal silhouettes of the trees, the cube like shapes of the houses,…
Al-Jadar paints an image of the tranquility and rest that takes place at the end of a days work. The livestock is tethered to a post, the sky is darkening while shifting its hues from brilliant turquoise blue to dusky purples punctuated with silver…
Another painting from the Iraqi Village series by Al-Jadar, Iraqi Village 3 captures the iconography of the small Iraqi town. The simple and beautiful geometrically based architecture, the palm trees, and market stalls. The villagers are shown…
The landscape depicted here is somewhat more ambiguous than that of others painted by Al-Jadar. The colors are rich and saturated and references the changing light at the end of the day. The architecture scene in the distance resides in a focus that…
In this oil on canvas, Khalid Al-Jader illustrates a scene of life within the borders of a small bucolic Iraqi hamlet. The thick impasto and broad brushstroke that Al-Jadar employs creates a strong sense of texture and three dimensionality to the…
In this non-figural representation, by Shakir Hassan Al Said, the top third is composed of a smearing together of brown and tan tonalities while the remainder of the composition is taken up with light blues and whites dappled delicately onto the…
In this village scene, Al-Jadar creates a deserted and empty feeling to the village that lies in the distance. There is no trace of activity in the painting, it is a static image of architecture and sand. The colors employed are striking blues,…
This landscape, by Abdul Qader al-Rassam, depicts a flat plane traversed by two jagged roads. In the distance stands a rock-cut building in ruin disturbing the horizontality of the composition. A lonely camel rider travels along the road towards an…