Browse Items (336 total)

A heavily garmented figure stands at the left of this composition by Ibraheem Alabdali. This human figure appears to be grasping the accoutrements of riding, a saddle or harness perhaps, indicated by the loose brown straps and brass buckle. Occupying…

In this painterly composition, by Ibraheem Alabdali, three boats sit atop the calm surface of a non-descript body of water. The empty seats within the boat and their lackadaisical organization, as one boat is perched under another, calls attention to…

A man in a uniform walks confidently towards the left of the composition carrying a piece of baggage. A wooden panel of some sort is place at a diagonal apart from any overarching structure. A hand emerges from behind this panel carrying a copper…

It is difficult to pinpoint exactly what this composition, by Ibraheem Alabdali, depicts as the figures move within a space obscured by a thick application of brown paint. The features of the figures within the crowd appear to be emerging out of the…

A loose configuration of color fields composes this still life by Ibraheem Alabdali. Light smears of various shades of purple make up the background, as well as the ground plane of the composition. While blocks of blues, reds, and yellows seem to…

A young girl in a red dress stands at the center of this composition by Ibraheem Alabdali. She appears a bit uncomfortable in her surroundings indicated by her tight facial expression and the grip of her hands. Although the background is somewhat…

The majority of this composition, by Suad al Attar, is rendered with a monochromatic color scheme of dappled tans with highlights of bright white. Within an outlined landscape sits a figure upon a horse. The horse in adorned with blue and yellow…

This portrait focuses on the figure of a hunched elderly woman. The figure is completely covered with a robe and head covering; only her wrinkled visage is shown. She is placed within a domestic setting with two teapots and a serving pitcher. The…

This surreal portrait, by Suad al Attar, focuses on the visage of a young woman from both a frontal and three-quarter vantage point. The figure is rendered through the use of outline and shading. Undulating lines flow outward from the woman’s face…

Two feminine figures compose the central focus of this dual portrait. Their bodily features are reduced to a mere conglomeration of line and shape as separated color fields insinuate skin and garmenting. The background in which the figures are set is…