Browse Items (10 total)

The color palette of this composition remains consistent throughout exhibiting an earthy coloring of tans and browns. Taking up a majority of the picture plane is a man riding a bike with a child sitting on his shoulders. Both of the figures gaze…

In this portrait, a woman in a pink blouse stands facing the viewer while gazing off the right. Her dark hair, smeared with blue and pink, frames her oval face. Detail is lost through the painterly treatment of the subject as loose brushstrokes…

A heavily garmented woman stands at the foreground of this composition holding the form of an infant. She is frontally posed gazing outwards from the picture plane. A series of condensed architectural structures rise behind her with a centralized…

The man in this portrait is set at a three-quarter pose in a plain background of mixed blues and oranges. He has dark features and wears a white traditional head covering that contrasts the shadowy browns of his exterior garmenting. The overall…

This landscape is primarily composed of two color variations, purple and orange. Shades of purple fill the sky whilst the oranges form the trees and vegetation. A naturalistic rendering of the landscape is not the focus of this piece. The focus…

Two women form the central focus of this composition; one sits upright while the other reclines, eyes closed, resting on the shoulder of the other. The female figures are rendered without great detail, relying on basic organic shapes composed…

In this portrait bust, by Ismail al Shaikhly, a woman in a three-quarter pose gazes blankly out towards the viewer. Her dark eyes are contrasted with the pale yellow color of her hair that falls below her bare shoulders. The woman is set within a…

Again, the figures in this composition, by Ismail al Shaikhly, are abstractly rendered through the use of reductive garmenting. The oval humanoid forms are scattered throughout a deep green background. Some stand erect while others bend low gathered…

In this abstracted composition, Ismail al Shaikhly has focused the action in the central portion of the canvas. Humanoid forms are insinuated through the display of garmented figures scattered amongst faded architectural structures. Vegetation is…

The shapes composing this landscape, by Ismail al Shaikhly, are rendered in a reductive manner. Trees are hinted at by way of jagged vertical lines while the rock formations in the middle ground use blocks of color to simulate three dimensions.…