The sandy tones of this composition are interrupted by the intermittent use of teal creating a rustic quality to the piece. The varied use of Arabic script within this composition attests to the flexible nature of the Arabic letter. Here Al-Alousy…
In this composition, three figures to the right orient themselves to the left third of the picture plane where a series of rectangular and triangular shapes hint at an architectural form. The figures are also reduced to their basic organic shape with…
A central crack bifurcates this composition running parallel to a thick black arrow on the rights side pointing downwards. The color palette is one of cool blues and faded yellows and reds. A series of lingual markings are scattered throughout the…
In this rather whimsical painting, Shakir Hassan Al Said has chosen a rooster as the central focus. The bird is painted through the use of black outline and color fill. The belly of the rooster is a bright green while the wing is inlaid with a zigzag…
The entirety of this composition, by Shakir Hassan Al Said, is made up of several black smears jutting into the picture plane from all four sides and a horizontal crack that begins split, then converges only to be split again on the opposite side of…
Here, Shakir Hassan Al Said has created a composition of layered components not contained within a traditional frame. At various points the edges of the components undulate organically with rips and singes; other times the edges form straight lines…
This work, by Shakir Hassan Al Said, is minimalist in its rendering being comprised of a grayish blue and white color scheme with various scattered linear formations. Two fissures occur towards the upper portion of the picture plane with overlapping…