Browse Items (27 total)

This composition, by Shakir Hassan Al Said, is made up of a neutral color palette, of tans, beiges, and browns, that is diffused at the outer edges of the picture place and grows more condensed towards the center. A series of swirling lines emerge…

This horizontally oriented composition is made up of a series of outlined shapes filled with various colors that are fitted together to form the representations of a family with two cows and a goat. A grid makes up the first layer of the composition;…

Many of the formal elements present within this composition are indicative of Shakir Hassan Al Said’s abstract representations. Linear scrapings, in various configurations, can be seen throughout the gray background and within the bluish squares…

The central figure of this composition is a woman carrying a basket upon her head. She is fully garmented with a vibrant array of colored and patterned textiles. The adorned woman is set within a stylized landscape background in which the palm tree,…

This scene, by Shakir Hassan Al Said, is focused on a central group of anthropomorphic forms. The figures have been rendered with no delineating details separating them as individuals. Thus, the reductive application of line and color creates the…

The most prominent feature of this abstraction, by Shakir Hassan Al Said, is the large crack that flows from the bottom right of the picture plane and splits before reaching the opposite corner. The remainder of the composition is made up of a…

The striking palette of this abstracted composition is made up of the contrasting colors of aquamarine and bight red. The surface of this work is textured through both the addition and subtraction of materials. Patches of the upper tenth of the…

This three-dimensional form, by Shakir Hassan Al Said, is triangular in composition with a central fold creating two halves. There are a multitude of seemingly random shapes and markings covering a light blue background. A series of geometric squares…

This abstraction, by Shakir Hassan Al Said, is framed with a dark outer half-circle that transitions into the central light blue portion of the composition. This center section is dotted with black markings. While some resemble lettering, other more…

The background of this composition is rendered in white and light blues with various faint strokes of yellow. Jutting horizontally into the picture plane from the left side, a series of thick black beams crisscross one another underscored with an…