Browse Items (848 total)

In this abstract composition, Shakir Hassan Al Said draws the viewer’s eye to a central black smear that fades out into the white background; a few smears can be faintly seen in this outer white area. Down the center of the frame there exists a deep…

In this non-figural representation, by Shakir Hassan Al Said, the top third is composed of a smearing together of brown and tan tonalities while the remainder of the composition is taken up with light blues and whites dappled delicately onto the…

This painting, by Nattik Aziz, is composed of repeating forms represented by the dual arches and the group of upright pikes. Also present are the overlapping textile squares decorated in great detail with a wide ranging color scheme. Within the…

The majority of this composition is taken up with the color-stratified background vacant of representational forms. In contrast to this is the highly detailed vignette located towards the bottom of the canvas. Here is a representation of an ambiguous…

This painting, by Nattik Aziz, is framed with the inclusion of a shadowed arch at the edge of the picture plane. Within this arch, a carpet is raised from the ground plane exhibiting the array of patterning and vibrant color detail. A pair of palm…

In this composition, Nattik Aziz has rendered two textile squares in vivid detail hanging from pikes. Represented in each textile square, there are a multitude of patterned configurations delineated by clear color separations. The detail of this…

This composition, by Nattik Aziz, is vertical in orientation with the representational figures portrayed in the lower third of the canvas. The figure of an animal with penetrating yellow eyes sits atop a carpet decorated with an intricate border…

In this triptych, by Mahoud Ahmad, the central panel is supplemented by two smaller panels that share its overall color scheme. The dream-like figures of a human headed horse and a cloaked rider adorned with a golden halo dominate the center scene…

This composition, by Mahoud Ahmad, is split into dual components with a bifurcating line separating the two parts down the middle of the canvas. Both halves portray an assortment of legs, from the knee down, and feet. The component to the right is…

In this scene a cluster of figures gather to the left of the canvas while in the background a duet of barefoot forms pass through a portal flanked by the famous winged guardians. The cluster of, mostly female, figures centers on a young man dressed…