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Title not known (Alnajar 2)
A series of abstracted faces in profile dominate this composition drawing the viewer’s eye to the right of the canvas. The profiles occupy a black space that comes to a point at the left edge of the picture plane accentuated by a sickly yellow…
Title not known (Al-Qaddo 1)
Four nude feminine figures dominate this composition. The figures appear to function apart from one another engaged in their own world of activity. Although not fully articulated, the corporality of the females’ bodies is contrasted with the flat,…
Title not known (Al-Qaddo 2)
Here Al-Qaddo has rendered a familiar subject in the realm of artistic representation, the reclining nude. Again the artist has combined the dimensions with the flatness of the carpet and background coupled with the round fleshiness of the nude. This…
Title not known (Al-Qaddo 3)
The composition of this work draws from a composite aesthetic in that independent components are juxtaposed to create a cohesive scene. These components are set on a beige backdrop that acts as negative space. Within the positive space three women…
Title not known (Abdelwahab 1)
This abstracted composition by Abdelwahab resembles the natural formation of a rocky mountain. The random, jagged cuts rendered at the base of the picture plane recall that of crevasses traversing a barren peak. The remainder of the canvas is filled…
Title not known (Abdelwahab 2)
Again, Abdelwahab has presented an abstracted work recalling natural elements. In this tri-part composition a thick, chaotic application of blue and beige paint brings to mind the tumult of a stormy sea. The jagged, undulating strokes of the…
Title not known (Al-Asadi 1)
Mahdi Al-Asadi has rendered this scene in a painterly manner as the subject matter is articulated with swaths of color rather than with detail. Although visual specificity is not the priority with this representation, figures can be identified and…
Title not known (al-Qudsi 3)
The distinguishing characteristic of this work, by Alkodsy, is the pervasive use of outline to delineate shape. The form of a human head and neck, along with two eyes and a nose, are implied with undulating and circular line formations at the center…
Title not known (al-Quds1 4)
This vibrant composition by Alkodsy contains a complex layering of triangular patterning. The pattern utilizes variant color schemes and swirls around the composition highlighting a central cylinder-shaped object. From within this domed object an…
Title not known (al-Qudsi 5)
Again Alkodsky has used thick, repeated outlines to construct the composition. Here the lines form two distinct, yet abstracted, human faces seemingly square in shape. The pyramidal formation created by the stacking of the faces and the raised arms…