In this triptych, by Mahoud Ahmad, the central panel is supplemented by two smaller panels that share its overall color scheme. The dream-like figures of a human headed horse and a cloaked rider adorned with a golden halo dominate the center scene…
This composition, by Nattik Aziz, is vertical in orientation with the representational figures portrayed in the lower third of the canvas. The figure of an animal with penetrating yellow eyes sits atop a carpet decorated with an intricate border…
In this composition, Nattik Aziz has rendered two textile squares in vivid detail hanging from pikes. Represented in each textile square, there are a multitude of patterned configurations delineated by clear color separations. The detail of this…
This painting, by Nattik Aziz, is framed with the inclusion of a shadowed arch at the edge of the picture plane. Within this arch, a carpet is raised from the ground plane exhibiting the array of patterning and vibrant color detail. A pair of palm…
The majority of this composition is taken up with the color-stratified background vacant of representational forms. In contrast to this is the highly detailed vignette located towards the bottom of the canvas. Here is a representation of an ambiguous…
This painting, by Nattik Aziz, is composed of repeating forms represented by the dual arches and the group of upright pikes. Also present are the overlapping textile squares decorated in great detail with a wide ranging color scheme. Within the…
In this non-figural representation, by Shakir Hassan Al Said, the top third is composed of a smearing together of brown and tan tonalities while the remainder of the composition is taken up with light blues and whites dappled delicately onto the…
In this abstract composition, Shakir Hassan Al Said draws the viewer’s eye to a central black smear that fades out into the white background; a few smears can be faintly seen in this outer white area. Down the center of the frame there exists a deep…
In this textured composition of bright red and blue tones, by Shakir Hassan Al Said, a rather stylized bird sits at the center of the foreground. The bird’s form is outlined in a thick black that is filled in by a pale pink while its wings are…
In this work, by Shakir Hassan Al Said, the main focus appears to be on color and line as the composition is overwhelmed with an encompassing color palette held together through the use of black outline. The figures are garmented in multicolored…