Browse Items (848 total)

The entirety of this composition, by Shakir Hassan Al Said, is made up of several black smears jutting into the picture plane from all four sides and a horizontal crack that begins split, then converges only to be split again on the opposite side of…

Here, Shakir Hassan Al Said has created a composition of layered components not contained within a traditional frame. At various points the edges of the components undulate organically with rips and singes; other times the edges form straight lines…

This work, by Shakir Hassan Al Said, is minimalist in its rendering being comprised of a grayish blue and white color scheme with various scattered linear formations. Two fissures occur towards the upper portion of the picture plane with overlapping…

This composition, by Shakir Hassan Al Said, is split diagonally down the center. This jagged fracture in the surface of the picture plane is mimicked in the violent application of material that drips, fades, and smears. Colors are layered haphazardly…

This composition, by Shakir Hassan Al Said, is made up of a neutral color palette, of tans, beiges, and browns, that is diffused at the outer edges of the picture place and grows more condensed towards the center. A series of swirling lines emerge…

This horizontally oriented composition is made up of a series of outlined shapes filled with various colors that are fitted together to form the representations of a family with two cows and a goat. A grid makes up the first layer of the composition;…

Many of the formal elements present within this composition are indicative of Shakir Hassan Al Said’s abstract representations. Linear scrapings, in various configurations, can be seen throughout the gray background and within the bluish squares…

The central figure of this composition is a woman carrying a basket upon her head. She is fully garmented with a vibrant array of colored and patterned textiles. The adorned woman is set within a stylized landscape background in which the palm tree,…

This scene, by Shakir Hassan Al Said, is focused on a central group of anthropomorphic forms. The figures have been rendered with no delineating details separating them as individuals. Thus, the reductive application of line and color creates the…

The most prominent feature of this abstraction, by Shakir Hassan Al Said, is the large crack that flows from the bottom right of the picture plane and splits before reaching the opposite corner. The remainder of the composition is made up of a…