The background of this composition is rendered in white and light blues with various faint strokes of yellow. Jutting horizontally into the picture plane from the left side, a series of thick black beams crisscross one another underscored with an…
This nonrepresentational piece, by Shakir Hassan Al Said, is oriented in a grid-like pattern that fades towards the bottom of the composition. The majority of the color palette is made up of natural brown and tan tones with a white overlay in the…
In this abstracted composition, by Shakir Hassan Al Said, script appears throughout the blackened and washed out surface. Two arrows on either side of the composition direct the viewer’s eye over and up, while the writing fades in and out of the…
In this painting, Shakir Hassan Al Said utilizes distinct color fields and, at times, thick black outlines to delineate the characters within the composition. A group of figures are tightly packed towards the right side of the canvas. The individuals…
In this work, by Shakir Hassan Al Said, the main focus appears to be on color and line as the composition is overwhelmed with an encompassing color palette held together through the use of black outline. The figures are garmented in multicolored…
In this textured composition of bright red and blue tones, by Shakir Hassan Al Said, a rather stylized bird sits at the center of the foreground. The bird’s form is outlined in a thick black that is filled in by a pale pink while its wings are…
In this abstract composition, Shakir Hassan Al Said draws the viewer’s eye to a central black smear that fades out into the white background; a few smears can be faintly seen in this outer white area. Down the center of the frame there exists a deep…
In this non-figural representation, by Shakir Hassan Al Said, the top third is composed of a smearing together of brown and tan tonalities while the remainder of the composition is taken up with light blues and whites dappled delicately onto the…